Archive for August, 2006

Glimpses of Obon

On Friday and Saturday night, the Ryukyu Bon Dance group led the Okinawan portion of the program at the Mililani Hongwanji Obon. Young and old enjoyed participating in a variety of lively Okinawan folk songs that concluded with two Uchina Pop numbers by the Rinken Band: “Jin Tu Bi Do” and “Shichi Gwachi Eisa.” Hope to see you next year!

Mililani Hongwanji
Mililani Hongwanji Obon
August 18 & 19, 2006

Jikata
Some members of the Ryukyu Bon Dance Group’s jikata
Derek, Richie, Bruce, and Scotty

Richie and Donna
i-O co-founders: Richie and Donna

Yagura
Dancing the night away around the yagura

Okinawa Eye Candy

Makishi Market
Makishi Market (Naha, Okinawa)

Internet-Okinawa photographer/correspondent, Myron Akana has just returned from a trip to Okinawa with tons of new photos to share on i-O’s Flickr site! He attended the 2006 Naha Eisa Fest and captured some great pictures of some of the performances, including the dynamic youth Eisa group, Churasa!

Churasa
Churasa - 140 photos in the Churasa photo set

So please, visit our Flickr photo gallery and enjoy the sights and excitement of Okinawa.

The must-have book of the year: Okinawan-English Wordbook

The Okinawan-English Wordbook, written by the late Mitsugu Sakihara, historian and native speaker of the Naha dialect of Okinawa, is an all-new concise dictionary of the modern Okinawan language with definitions and explanations in English. The first substantive Okinawan-English lexicon in more than a century, it represents a much-needed addition to the library of reference materials on the language. The Wordbook opens to lay user and linguist alike an area heretofore accessible almost exclusively in Japanese works and adds to the general body of scholarship on various Ryukyuan languages and dialects by providing a succinct but comprehensive picture of modern colloquial Okinawan.

The current work comprises nearly 10,000 entries, many with encyclopedic discussion, drawn from a wide variety of sources in addition to the author’s native knowledge and from numerous areas of interest, with emphasis on the cultural traditions of Okinawa. Entries reflect both contemporary Naha usage and archaisms and areal variants when these are of cultural, historical, or linguistic interest. Thus, in addition to being a comprehensive portrait of the modern Okinawan language, the Wordbook serves as an implicit introduction to the rich field of Japanese dialect studies.

Prefatory material discusses the phonology of Okinawan and the romanization scheme employed in the book, with particular attention to phonological features of the language likely to be unfamiliar to native English speakers and those acquainted only with Japanese. A general introduction to the conjugation of verbs and adjectives in Okinawan is made as well.

Mitsugu Sakihara (1928-2001) taught in the Department of History at the University of Hawai‘i in various capacities from 1971 to 2001 and was also professor and president of Hawaii International College. [Via UH Press.]

This wonderful book can be purchased online from UH Press.

Album Discography: Ayano Uema’s ‘Negaiboshi’

Artist: UEMA Ayano
Album Title: Negaiboshi
Catalog Number: 20NCD-52
Release Date: 2006.2.20
Record Label: BCY (Nnarufon)

Tracks:

  1. Tabitatsu Tomo e
  2. Negami Boshi
  3. Ippē no Hana
  4. Tetsu no Tori
  5. Hanazumi Tisaji
  6. Omatsuri Musume no Kachāshī
  7. Eisā Nagashi
  8. Mikazuki no Yoru ni

Notes:
Karakui Music Sample 5: “Eisā Nagashi”. Negaiboshi is Ayano’s solo debut album and like her singer-songwriter contemporary IREI Asano, Ayano contributed her own compositions (words and music) for the first two tracks. (Additional credits for Ayano include the music for Track 4 and the lyrics for Track 8.) The songs on the album fills a niche between the pop sound of IREI Asano’s works and the straight forward minyou of UCHIZATO Mika—both are her contemporaries. She’s also on one of my favorite albums from 2005, “Yonaha Tōru Presents ‘Uchinā Warabe Uta’”, which was featured on Karakui 10 months ago. Surprisingly, she has no web address yet (compare this with IREI Asano who has her own website [we’ll forgive her web designer for the use of “Brog” instead of “Blog”] and Podcast!) although we were able to Google up a Yahoo! Japan blog which looks legit.